Discover my unique art paintings, available for sale. Each work is an expression of my passion and artistic vision, ready to find its place in your collection.
A spectral blue Christ emerges within a tormented composition of blues, violets, and yellow ochre. The painting offers a modern, anguished treatment of the iconography of Christ, translating divine suffering into a contemporary language of unease.
A grotesque self-portrait shows a figure in a red turban, mouth gaping black in a voiceless howl. Against a green ground scattered with cruciform elements, a caricatural and expressive style merges tragedy with the grotesque, turning the face into a mask of silent agony.
In a monumental panoramic format, a gallery of elongated, deformed spectral figures unfolds. Flesh tones, fluorescent pinks, and black coalesce into an atmosphere reminiscent of a morgue or chamber of horrors, where each body seems to float between cry and crucifixion.
A large, chaotic composition erupts with flames of red, blue, and yellow, its fragmented figures and violent gestures evoking infernal torment. Explosive energy surges through a vertical composition of simultaneous ascent and descent, suggesting both the blazing of the damned and their eternal fall.
An abstract, gestural composition dominated by blue and accented with red, pink, and green. Thick impasto and heavily worked material suggest a ritual or solemn engagement, as though the paint itself were a contract signed in pigment and flesh.
A deformed face with an open mouth hovers against a luminous yellow-green ground, its melting, dissolving features suggesting the disintegration of identity within suffering. Acid hues amplify the malaise, turning the canvas into a field of visual corrosion.
A portrait set against a dark blue-green ground, the orange face caught mid-scream with a gaping black mouth that articulates existential anguish. Small in scale yet maximal in emotional intensity, the work compresses an entire universe of dread into a single cry.
A pale female nude reclines against a ground of blood red and black, grasping a red apple beside which a white cross is visible. The image wields the potent symbolism of original sin and temptation, embodying the archetype of the rebellious first wife in Hebrew myth.
In a horizontal panoramic format, a procession of crucified and mirrored figures stretches across the canvas. Turquoise blues, whites, and earth tones reverberate in a repetitive composition that conjures an infernal hall of mirrors, where each reflection multiplies the gaze of temptation and malice.
